Archives
2009
2006
Yellowhorse Family Chilton Family Acoma Pottery Ronald/Petra Chavez
2005
Ted Mayak, Jr. B&F Dallasvuyaoma Pahponee Leo Yazzie Kathy Whitman Robin Lazore Navajo Rugs
2004
Arts of Alaska SantaClara Pottery SW Turq. Jewelry Haudenosaunee Arts Arts of the Hopi Navajo Folk Art
2003
Derrick Kaamasee LaRance & Denipah ICS 65 Anniversary Elena Carol Pate Pete Yazzie Marietta Juanico E & W Nelson Duane Maktima Gerald Barnes Lorraine Caté
2002
Mary Lou Big Day Daryl Dean Begay Roberta Wallace Cliff Fragua Ola & Tony Eriacho Jerry Ward Vivian Ross Philbert Poseyesva Mary Small
2001
Glendora Fragua Ruby Thomas Charlie Pratt AllenLynnLewis Jerry Laktonen Ray Winters Alfred Joe
2000
Darlene Robinson Madeline Naranjo George Blake Eddie Morrison Arlene Caesar Terrill O'Brien George Willis
1999
Orville Tsinnie Stephanie Rhoades Anna Mitchell Michael Garcia
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The Highlight of the Month program at The Indian Craft Shop focuses on a particular craft area, region or artist family/group. Our aim is to illustrate the diversity of tribal groups and the wide variety of artistic expressions and traditions in the country today.
Anna Mitchell
September 1999
Anna Mitchell is a traditional potter from the Western Band of Cherokee in Oklahoma. The pottery tradition of the Cherokee was disrupted by their removal from their southeastern homeland tot he Oklahoma Indian Territory in the nineteenth century. Anna is widely recognized as being responsible for the revival of traditional handmade pottery among the western Cherokee. She is respected in the field for her use of historic southeastern designs, traditional techniques and local materials. Anna digs all of her own clay from her land in Oklahoma, and constructs her pots with the traditional coiled method, which has remained unchanged for thousands of years.
Her calling as a potter began in 1969 when she and her husband were digging a pond on their farm and noticed some veins of clay in the ground. Her husband had wanted a pipe liked the one pictured in Sequoya's famous portrait, and she took advantage of the clay they had uncovered to construct one for him. Her early projects were pipes and basic shapes, and before long she had attracted local interest in her work. The public's interest led her to research the Eastern pottery traditions in depth and she began incorporating traditional Cherokee and Southeastern designs into her work. Soon a full scale revival was underway
There was a time when waning interest in the traditional arts had Anna very discouraged about their future. Over the years however, she has seen people's interest in their culture and heritage grow and develop. Today she is very optimistic about the future of traditional arts and crafts, and emphasizes how her experience has demonstrated the value of patience.
As a master potter, Anna feels that is very important to pass on her knowledge. She does this through teaching classes on pottery, carrying a tradition from out of the past into the future.
©The Indian Craft Shop 1999