November
2005
Ted
Mayac, Jr. (Inupiat)

The
Highlight of the Month program at The Indian Craft Shop focuses on a particular craft area, region
or artist family/group. Our aim is to illustrate the
diversity of tribal groups and the wide variety of artistic
expressions and traditions in the country today.
Ted
Mayac, Jr.
is one of the premier ivory carvers from Alaska. He
is known for his elegant carvings of
loons
and other arctic birds meticulously carved from walrus
ivory. His attention to detail has landed his art in
collections around the world.
Ivory
carving gained popularity in the 1900s, after the
Alaska gold rush. Prior to that,
carvings were
made for functional and ceremonial use, including charms
to aid hunters. Today’s artists carve a variety
of animals, birds and figures from ivory. Ted is part
of the Mayac Family, one of the best-known ivory carving
families in Alaska. Originally, from King Island, the
Mayac’s have gained an international reputation
for their realistic carvings of arctic birds made of
walrus ivory.
Fascinated by the beauty and the variety
of bird life in the arctic, Ted continues the family
tradition of
carving birds. He has been carving ivory since childhood.
At 14, he was making small pins among other small items.
He learned to carve from his father, Ted Mayac, Sr. “He
just let me work on my own and then helped me when
I needed a hand.” They still collaborate, sharing
tools and techniques and buying their ivory together.
Today,
Ted carves birds from around the world with exacting
accuracy to the traits of
a variety of species,
adding incredible detail to each. “I have over
68 birds that I carve in a variety of poses,” says
Ted. “I carve them floating on water, standing,
fluffing their wings, preening and full body flying.” Caught
in a moment of time, his birds are so lifelike you
expect them to swim or take flight in an instant.
Loons are one of his most popular bird
carvings; he makes them in a variety of sizes, from
small single
birds up to mothers with babies 4-5 inches or more.
When asked which his favorite is, he says he likes
them all but enjoys the challenge of the Wood Duck. “Wood
Ducks have such amazing colors, it is a challenge to
refine them and really make them lifelike,” he
says. The work is painstaking, taking about 6 hours
to make a loon and 8 to 12 hours for the more elaborate
birds.
Availability of ivory is unpredictable. “We
keep our ears open for anyone with walrus ivory,” says
Ted. “It’s been harder to find whole tusks,” he
says. “The ice has been thawing earlier these
past few years and, as a result, the walrus migrate
sooner and the hunters have less time to hunt.” The
ivory must be seasoned to avoid cracks and breakage
Ted does the cutting, drilling and
messy work in his garage workshop and the etching,
painting, and buffing
in the studio in his basement. Ted has created stencils
for each of his birds to help him get started. He stencils
the form and then cuts the body shape. “If I’m
not careful, I can break several blades,” says
Ted. He uses drills and files to round out the shape
and then files and sands to refine the detail on the
birds. Then, the figure is ready for etching.
“I begin with a single line etching tool to
set the boundaries,” says Ted. “My favorite
single line tool was made by my father and then passed
down to me.” He has 14 different hand etching
tools he uses to get different lines, textures and
effects. Occasionally he’ll use fine point drills
for some etching. The grooves made by the etching helps
the piece hold the inks and paints, including permanent
markers in more than 200 different colors. The finishing
process includes more sanding, polishing and buffing.
“I never really thought of myself as an artist,” says
Ted. “Carving is just something I’ve always
done. When I’m not carving, I’m hunting
or fishing. In the summer, I fish for salmon and whatever
else that is running. In the fall, I hunt for caribou
or moose.” Ted has a growing interest in photography
and enjoys capturing images of the beauty of Alaska
and its birds. “I want people to be inspired
by my work,” says Ted. It is an easy wish to
fulfill. These small sculptures can’t help but
remind us of the diversity and beauty of all winged
creatures, and renew our appreciation for all living
things.
Indian
Craft Shop
1849 C Street, NW
Washington, D.C. 20240
(202) 208-4056
|