"I
was fascinated by flint knapping as a boy," says Jerry, who often
found arrowheads or fragments during his early childhood. "My
father told me no one was making arrowheads or tools that way
anymore, so I experimented and began teaching myself." In his
in depth research, he has discovered that the Comanche used seven
different kinds of arrows.
Later
in life, Jerry learned from expert flintknappers. He also talked
with elders to find out more about making regalia and ceremonial
items. They showed him traditional techniques and shared tribal
history, telling him how items were used in the past and noting
the differences between items used by men and women.
"Each
piece has a story to tell," says Jerry. "Whether I'm brain-tanning
deer hides to make moccasins or flint knapping stone arrowheads,
I'm reminded of the importance of preserving these items, as well
as the original materials and methods used to make them."
Jerry
has learned seven different beading techniques and makes clothing,
musical instruments, tools and weapons from many different tribal
styles and time periods. He has also studied different types of
roaches and today makes five different styles.
"I
am very grateful to the elders who shared their knowledge and
skills with me so freely," says Jerry. "Everything I know today,
I owe to those who taught me." Today Jerry is continuing this
tradition by sharing his knowledge and teaching others, serving
as a link in the continuation of traditional arts and culture.
His
research has taken him to several museums where he's studied collections
and old photographs of everything from simple utilitarian items
to ornately decorated ceremonial attire. His exploration has helped
him create pieces with conscientious accuracy, for which he has
become well known. This recognition has made his work a favorite
among competitive pow wow dancers who are judged not only on their
dancing, but also their regalia.
Jerry
has served as the master of ceremonies and arena director at pow
wows throughout eight states in the Southeast and Midwest. As
the "Artist in Residence" for the Oklahoma State Arts Council
in July 1993 to June 1995, he set up programs and demonstrations
at local schools. He's taught flutemaking, quillwork and beadwork
at the Jacobson House Art Gallery and enjoys demonstrating and
performing throughout the country.
Jerry
has devoted his life to mastering the ancient skills of his ancestors
and keeping them alive. "While performing my craft, my hope is
to revitalize an awakening in other Native Americans to secure
their traditional art."